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What
we decide to see by arranging images in our brain is more helpful/playful
than what our eyes actually see.
It
is hard to explain/understand the way we perceive visual concepts, when
this perception makes us see things that are not there, a hard test for
our visual powers: different viewpoints leading to contrasting outcomes.
Something
seen/not seen, forever teaching us, an anamorphosis of endlessly changing
images.
Landscapes
of an “acid” world, fleeting Morgana Le Fays of a liquid desert;
tempestuous skies, romantic heavens where whimsical cirruses create
upside-down perspectives (Piranesi’s way): implosions of universes
animated by vegetal shapes.
Steve
Reich accompanies with his minimal sound anyone about to enter the world
of Claudio Pollini’s photos.
Let’s
dive into the spiral of emotions in a protean “continuum”, and go
beyond the obvious, beyond the confines of our narrow vegetable
garden/spot/landscape; let’s open up to these imaginary/very real
structures which surface in transparencies; as transparent, in fact, as
undertow waves.
Gigi
Borghi
30
cibachrome
prints 50x75 cm
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